If, as some savants of consciousness suggest, we are actually agreeing to create, from moment to moment, everything we perceive as real, then it stands to reason that we're also responsible for keeping it going in some harmonious manner.

Actually, the year anniversary of what you just heard, my son Grahame and I are going to be in a play together, and I'm acting for the first time in front of an audience that doesn't consist of a high school drama class.

So what it boils down to, in my humble opinion, is that we need to support the arts in schools, and at every other level in the education of children.

So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there.

... We borrowed it all from Coltrane. I started encouraging everybody in the band to listen to John Coltrane - 'Check it out, see what these guys do.' They take one chord, the tonic chord, and just play all over it. 'We can do that too!' I wanted to make our music something really amazing - I wanted it to be jaw-dropping and turn on a dime and do all of those things that I knew music could do, and nobody told us we couldn't do it. I shouldn't say 'I,' though - Jerry Garcia was behind it the whole way.

In St. Louis, some people were hurt seriously when some fans got on top of a roof that was where other fans were underneath it, at a park somewhere, and it collapsed.

Bruce's band is so different from the Grateful Dead; there's no lead guitar player, for one thing.