When Bill Gates started Corbis we were told that he needed images to fill those digital picture frames in his home, and many found this plausible. But now it's pretty clear that he's set out to control the visual history of the twentieth century.

Let's assume that all the cassettes of monochrome film Cartier-Bresson ever exposed had somehow been surreptitiously loaded with colour film. I'd venture to say that about two thirds of his pictures would be ruined and the remainder unaffected, neither spoiled nor improved. And perhaps one in a thousand enhanced.

The only thing we photographers really want more than life, more than sex, more than anything, is to be invisible.

What we get to think and know about the world is in the hands of a very few... A truly informed public is antithetical to the interests of modern consumer capital.

Real photography is a wonderfully inclusive, democratic medium, whereas art photography is more often a private pursuit by conmen.

... we are there with our cameras to record reality. Once we start modifying that which exists, we are robbing photography of its most valuable attribute.

[Photojournalism] really is the only branch of photography that's a credit to our profession. We see, we understand; we see more, we understand more.