Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups... So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.

Giving me a a new idea is like handing a cretin a gun, but I do thank you anyhow, bang bang.

A lot can be said for the infinite mercies of God, but the smarts of a good pharmacist, when you get down to it, is worth more.

How'd you like to gaze at a beer can throughout eternity? It might not be so bad. There'd be nothing to fear.

You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe.

Why does a man cry? he wondered. Not like a woman; not for that. Not for sentiment. A man cries over the loss of something, something alive. A man can cry over a sick animal that he knows won't make it. The death of a child: a man can cry for that. But not because things are sad. A man, he thought, cries not for the future or the past but for the present.

I think that, like in my writing, reality is always a soap bubble, Silly Putty thing anyway. In the universe people are in, people put their hands through the walls, and it turns out they're living in another century entirely. I often have the feeling — and it does show up in my books — that this is all just a stage.