Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.

Well, I think everyone struggles with self-love.

Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.

When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about.

My love for the theater has always been a priority. That hasn't changed. I got into acting that way. The film work that came up was really a surprise.

Film's hard when you don't have any relationship with the director at all and you just show up. Then you really are just a gun for hire.

I'm probably more personal when I'm acting than at any other time. More open, more direct. Because it allows me to be something that I can't always feel comfortable with when I'm living my own life, you know? Because it's make-believe.