Sometimes it's hard to say no. Ultimately, if you stick to your guns, you have the career that you want. Don't get me wrong. I love a good payday and I'll do films for fun. But ultimately my main goal is to do good work. If it doesn't pay well, so be it.

In life, do you ever really know if you're missing an opportunity? No, you really don't.

If all people are encouraged to actually see who they're coexisting with, or even if they're not coexisting with other people.It's like to look at the world you're in.

With "Good Night, and Good Luck," I think it's kind of obvious what [Truman Capote]'s getting at there, and the importance of how it's playing out today, that is journalism doing, are the journalists doing their job, are they being the other checks and balances in our country that the way that obviously Edward R. Murrow was back then.

Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.

People actually live with their id exposed. They're not good at concealing what's going on inside.

I feel like the need to want to create and make something is stronger than the difficulties are going through.