The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.

I got sober when I was 22 years old.

Ultimately what I'll do next is up in the air for me.

A lot of people describe me as chubby, which seems so easy, so first-choice. Or stocky. Fair-skinned. Tow-headed. There are so many other choices. How about dense? I mean, I'm a thick kind of guy. But I'm never described in attractive ways. I'm waiting for somebody to say I'm at least cute. But nobody has.

When you're playing someone who really lived, you carry a burden, a burden to be accurate.

Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.

There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.