The drama nerd comes out in me when I'm in a theater.

I was a breed of people who aren't capable of doing anything, really. At college I began to get the idea that being macho wasn't the accepted norm in the liberal world, and especially the world I entered into, which was the artistic world. I had a lot of problems with that because I was struggling with the need to be proud of being a man, which wasn't something I was feeling.

Ultimately, I think writing is a mixture of craft, inspiration, and being incredibly, courageously explorative with yourself - and being brutally honest, too.

I've been reading a bunch of stuff lately - like Joseph Campbell - that has made me realize that people in our cultural, especially in the liberal community, often go in search of a foe. It's like we always need a hill to climb up or something to push against, or we feel as if we're not working constructively in the world.

Sometimes I have a great day of filming and sometimes the theater strikes me better. It just depends.

I think therapy is a helpful thing. I think everyone knows it. You do it for your life, you do it for yourself, because you want to explore some things, and get at the bottom of some things. It's about your life, the quality of your life.

There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.