When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about.

I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.

When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about.

There are a lot of things going on with my life right now that don't just have to do with career. So I have a hard time making decisions about work. That's really a luxury problem.

I have so much empathy for these young actors that are 19 and all of a sudden they're beautiful and famous and rich. I'm like, 'Oh my God, I'd be dead.'

If you're a human being walking the earth, you're weird, you're strange, you're psychologically challenged.

I think Magnolia is one of the best films I've ever seen and I can say that straight and out and anybody that disagrees with me I'll fight you to the death. I just think it is one of the greatest films I've ever been in and ever seen.