When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about.

When you're playing someone who really lived, you carry a burden, a burden to be accurate. But it's one that you have to let go of ultimately.

Sometimes I'm uncomfortable with the level of fame I've got! It all depends on the day and what's going on. I don't desire any more fame. I don't need it.

The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.

I know I wasn't as handsome as some other guys, but I was OK with that.

I have so much empathy for these young actors that are 19 and all of a sudden they're beautiful and famous and rich. I'm like, 'Oh my God, I'd be dead.'

When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about.