The immortal photographers will be straightforward photographers, those who do not rely on tricks or special techniques.

In a jump, the subject, in a sudden burst of energy, overcomes gravity. He cannot simultaneously control his expressions, his facial and his limb muscles. The mask falls. The real self becomes visible. One only has to snap it with the camera.

When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.

Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most

Dali likes me taking his picture because he is interested in pictures that do not simply reproduce reality. Even in photos he prefers to appear outside reality .That is surrealistic!

I make the woman look at the camera as a symbol of all the eyes that will see the picture I am making.

A good portrait is incredibly hard to create, there is too much temptation to pander to the individual rather than portray them as they really were