Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.

I wanted to be the greatest woman guitarist alive. I had fantasies about being a female Jimi Hendrix.

There's a fascinating school of thought that some women are relationship addicts. You get really strung out on a guy who's not returning your enthusiasm and tell yourself you're going to fix him and make him better, and of course it's impossible.

Sometimes when you're overwhelmed by a situation - when you're in the darkest of darkness - that's when your priorities are reordered.

The first album was a very successful record. It made me very visible and it's an immediate association, but I don't do that anymore. Now I'm true to myself as an artist again. I'm more vocally oriented.

There were times when I had maybe a couple of hundred dollars, and times I made myself think I was on top of the world.

Once I get out onstage, it's the same sort of basic production that it is anywhere else. But I might be a little bit aware that there might be people I know out there, who wondered where I was.