America gave me the great glory of coming into people's homes every week and allowed me to last as long as I have.

Together we are stronger, our voices louder, and the synergy of our actions more powerful. Together we can prevail on the Navy to put commonsense safeguards in place, like requiring its ships to avoid the most sensitive marine mammal habitats and to stop their training exercises during peak migrations.

I lost track of it thereafter. I wish I had a piece of it. That would have been very, very nice. It was one of those little things they get you on the Bond and then suddenly your face is every which way.

America, which leads the world in so many ways, can end childhood hunger within its borders.

I had big dreams when I was a boy. And I can't say that I never saw a beach house in Malibu in those dreams.

The White Palace was pretty impressive. Very impressive, in fact. The day to day running of the set was everybody showed up for work. They are seasoned filmmakers over there. They have an infrastructure for filmmaking, which is very healthy. It's small, but they were tenacious, polite, timely.

So that would be my input and I'd go off and I'd work on another film, and then I'd catch up with them later on in the year. We just kind of nursed the piece along. There was no timeframe. We didn't have anyone pushing us except ourselves to make the film, and a desire. And then the organic kind of naming of Roger; then it happened really fast.