I paint in oils, I paint in acrylics. I paint figurative and landscape portraits. It's all in my own kind of style. I'm self-taught.

I'm not very comfortable with watching my performances. I don't particularly find a great joy in it. Everything is the process of making it, of getting it, getting the job, saying yes to the job. Those are the joys. Making it is the greatest joy. And then, you have to show the bloody thing. You have to show and tell, be judged. But I don't listen. I don't pay much attention. I hear the rumblings of greatness or the arrows of discontent and harsh words. Then you go, "Oh God. Why?"

America, which leads the world in so many ways, can end childhood hunger within its borders.

I should like to think that we'll find peace on this Earth at some point and come to a collective consciousness of COMPASSION for each other, where we say, 'Enough! Let us live as one!'

Regret, is usually a waste of time. As is gloating

I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.

The violence and sexuality on TV today is exhilarating. You can explore every aspect of society. People's sexual orientations, the violence that goes within that... there are no holds barred.