And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."

I'll make phone calls. I'll call anybody and knock on any door to try and get a location, or get an actor, or get an actress. But no, it was just very easy. We just hit the ground running.

You can get totally messed up trying to please everyone with what you do, but ultimately, you have to please yourself.

You have to move forward. It's constantly changing. Everything changes and everything falls apart. You have to be nimble and on your toes and accessible to it all. Not everyone is on board with this.

I love these kind of movies as a kind of cinema-going geek myself. Those characters, you want to be like those characters when you go to the movies. You know, when you see a movie with a guy who's really cool and the killing's slick and easy. I don't know. There's something intoxicating about it.

That's it. I've said all I've got to say on the world of James Bond.

When I found acting, it was my saving grace - still is. That I get paid to do it is remarkable. That I get to meet people like Salma Hayek - one of the most beautiful women I know, with the most magnificent energy - is phenomenal.