Love is just the most beautiful, joyous feeling. It can come from many places.

I lost track of it thereafter. I wish I had a piece of it. That would have been very, very nice. It was one of those little things they get you on the Bond and then suddenly your face is every which way.

When your partner gets cancer, then life changes. Your timetable and reference for your normal routines and the way you view life, all this changes. Because you're dealing with death. You're dealing with the possibility of death and dying.

Being here by the ocean in Malibu. Living in this beautiful house that we built, that took so long to build. Being in my art studio, painting. Packing my bags tomorrow to go home to Kauai where we have a house. Which all sounds very grand, and I suppose it is, in some respects, but nothing comes from nothing. It all comes from hard work.

It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.

I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.

I had big dreams when I was a boy. And I can't say that I never saw a beach house in Malibu in those dreams.