Television enjoys a de facto monopoly on what goes into the heads of a significant part of the population and what they think.

In stamping photography with the patent of realism, society does nothing but confirm itself in the tautological certainty that an image of reality that conforms to its own representation of objectivity is truly objective.

Unless saved by exceptional talent, he necessarily pays the price of clarity.

Television enjoys a de facto monopoly on what goes into the heads of a significant part of the population and what they think.

The point of my work is to show that culture and education aren't simply hobbies or minor influences.

Every established order tends to produce the naturalization of its own arbitrariness.

Only in imaginary experience (in the folk tale, for example), which neutralizes the sense of social realities, does the social world take the form of a universe of possibles equally possible for any possible subject.