I don't want to exhibit something to someone anymore. I want to do the reverse: I want to exhibit someone to something.

I'm more interested in the diversity of people in New York. I like to be lost. I like to feel like a foreigner. I like not to know everything. I'm trying not to burn the whole city. I try to consume it in slow motion.

New York is like traveling without actually moving.

I put an octopus in aquarium, and it would eat the others. But if you put an octopus in with a school of tiny fish, he might not be able to catch them. That's an archetypal structure: a powerful individual versus the multitude, the crowd. You can relate to that.

I'm not sure that is correct but I love that interpretation - that we artists never go out of self-portrait.

When I know who is speaking, I see that there is a commitment. I need to know there is some commitment. I need to find an author. "I" can also be polyphonic, fictional, inhabited by a multitude of characters, be right or wrong or at fault or corrupted. But that's more "the self" than "me, me, me." It's problematic. There are times to say "we."

You can go to a psychoanalyst one day and then go the next day and something else will come out. So, yes, there was some preparation. But still, when a person gets hypnotized, you don't really know what the outcome will be.