I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects.

Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity of crossing verticals and horizontals. Impressed by the vastness of Nature, I was trying to express its expansion, rest and unity.

I don't want pictures, I want to find things out.

By the unification of architecture, sculpture and painting a new plastic reality will be created.

Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture.

The colored planes, as much by position and dimension as by the greater value given to color, plastically express only relationships and not forms.

All painting - the painting of the past as well as of the present - shows us that its essential plastic means were only line and color.