By the unification of architecture, sculpture and painting a new plastic reality will be created.

I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects.

I, too, find the flower beautiful in its outward appearance. But a deeper beauty lies concealed within.

The surface of things gives enjoyment, their interiority gives life.

What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky, and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.

The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.

This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.