To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.
I am more interested in what moves people, than how they move.
I'm not interested in how people move; I'm interested in what makes them move.
I didn't want to imitate anybody. Any movement I knew, I didn't want to use.
Your fragility is also your strength.
I want to feel something, as a person. I don't want to be bored.