The smaller the group, the more trial and error and experimenting you can do. I do a lot of garbage.

I have no animals, unless you count my two kilos of bacteria.

I always try to create equal power between the subject and the object, so as not to end up creating a relationship where the camera is here and the object out there. This is for me a very difficult and sensitive balance. When I produce a work, cut and frame images, I realize that spectators can identify with the images and almost forget that someone else actually made them. This would be the optimal situation. I don't know whether I succeed in doing so, but that's what I would like to have happen.

The smaller the group, the more trial and error and experimenting you can do. I do a lot of garbage.

First I did animation films, when I was young, in time-lapse. And then in the '80s I went directly to video. The main reason for that was that I could control all the steps.

I did not go to art school thinking that I was an artist; I went there mainly doing stage sets for bands. I considered my work more as an applied art for musicians, not as art in and for itself.

Should one be for or against pornography? I prefer to propose images of sexuality rather than to analyze the pros and the cons of pornography. Women are interested in erotics and sexuality, so I want to use my energy to propose images about that.