If you look at Cuba what's the benefit in being in Cuba? Really? It's almost like being in prison. You can't think. You can't have your own opinions. You have no opportunity. You just gotta live life the way you were born into it.

There's always something going on, and people need that 45-minute-to-an-hour-and-15-minute break, where they just escape and not worry about bills, health care and God knows what. That, to me, is when you're making great music: when people can just forget about what's going on.

I'm sharp... What the street taught me how to do is how to hustle. How to make something out of nothing.

I never worry 'cause people always try to categorize me. "Oh, that's reggaeton." "Oh, he's a Latin rapper." "Oh, he's crunk." "Oh, he's a Southern rapper," or, "He's a club rapper." As long as they're listening to the music and they're talkin' about it, one way or the other, that means I'm doing something right.

Since I've been in this industry, it's been a constant fight; "Oh, he's white, he's Cuban." "He's tryin' to do hip-hop and he's too Spanish, he's too English."You fight all these stereotypes through all these boundaries, and you find a way to tap-dance through all these different genres and cultures through music - that's what Rebelution is.

I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.

I make music with no boundaries.