This is the truth: I'm into sales. I love deals. I'm definitely a sucker for steals.

If you look at any movement Hip Hop would be the most influential in the last maybe 15, 20 years.

I'm not a Reggaeton artist and I'm not a Crunk artist either.

I never worry 'cause people always try to categorize me. "Oh, that's reggaeton." "Oh, he's a Latin rapper." "Oh, he's crunk." "Oh, he's a Southern rapper," or, "He's a club rapper." As long as they're listening to the music and they're talkin' about it, one way or the other, that means I'm doing something right.

As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.

If you look at Cuba what's the benefit in being in Cuba? Really? It's almost like being in prison. You can't think. You can't have your own opinions. You have no opportunity. You just gotta live life the way you were born into it.

There's always something going on, and people need that 45-minute-to-an-hour-and-15-minute break, where they just escape and not worry about bills, health care and God knows what. That, to me, is when you're making great music: when people can just forget about what's going on.