I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."

There is nothing more boring than doing singing exercises.

It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.

I think that's always very valuable: to keep the mind open to receiving all sorts of information, which can then be used in my work, but also just as a human being.

There's a level of discipline I use as a writer, designed to get better at what I'm doing, that requires quite a lot of study and quite a lot of hard work as well.

I've always been very interested in the visual aspect of what I do.

I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.