If I ever meet a writer or a painter, I don't presuppose that they are like the work they are presenting.

I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.

I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.

I tried to use words that were dealing with the emotional quality that any human being could recognize in the way that they felt about their country. It's to do with the world we live in. That world is a brutal one and full of war. It's also full of many wonderful things and love and hope

People want to build musicians into mythical beings.

When a poem might become a song, then certain parts are repeated and might become a refrain or a chorus, so they change in that way. But it's more the nature of the words and what they're saying that determines whether it's a poem or a song.

When I was young, I had idols that I thought were wonderful. I wanted to be just like them.