I don't loathe interviews, I'm just one of those people who makes music because I find it difficult to talk.

I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.

I'm finding my way, and I make mistakes.

I knew what I didn't want to do- that's always my starting point. The starting point is always that I don't want to repeat myself. Or I try my best not to, with varying degrees of success.

I make tiny wooden people with bits of hair. Puppets and things like that.

I don't loathe interviews, I'm just one of those people who makes music because I find it difficult to talk.

I would listen most particularly to the countries whose language I didn't understand, didn't know what they were singing. But being a singer myself, I could understand because of the emotion.