Young singers are much better educated musically, much better informed, through discs and videos, than I was.

I attended less than two years of Conservatory in Mexico City.

When working with an orchestra, you never spend more than 20 minutes per recording session.

I feel like a little boy who is constantly offered new toys.

My strength is my enthusiasm.

Let us be clear: I take ten times more money for a concert than for an opera performance.

This season, over eight productions, I am presenting four young tenors.