When working with an orchestra, you never spend more than 20 minutes per recording session.

I attended less than two years of Conservatory in Mexico City.

The atmosphere of the theater is my oxygen.

When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.

The press regularly proclaims my ambitions and my financial demands.

I feel like a little boy who is constantly offered new toys.

With my personal preparation at the piano, I can afford to hum at half voice.