This season, over eight productions, I am presenting four young tenors.
Every three days on average, I am alone on stage, facing the public.
The high note is not the only thing.
When it becomes clear that no one else shares your level of passion, you are where you belong.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
I am never wrong when it comes to my possibilities.