I am never wrong when it comes to my possibilities.
When a young artist is ready, one has to bring him into the limelight.
Let us be clear: I take ten times more money for a concert than for an opera performance.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
The press regularly proclaims my ambitions and my financial demands.
I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.