My mother is an office manager, my father a professor of economics and financial planner.

It was like discovering that your innermost fires and terrors, the things you believed no one else could fathom, were in fact the basis of a recognized philosophy. Some part of you felt intimately invaded, threatened; some other part fell to its knees and sobbed in gratitude that it was no longer alone.

In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.

If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.

Why bother? I was right all along: the second you make yourself vulnerable to someone, they start drawing blood.

In the Netherlands I read the first chapter of Exquisite Corpse to an audience that laughed in all the places I thought were funny - an experience I've never had in America!

I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible.