Even in this place one can survive, and therefore one must want to survive, to tell the story, to bear witness; and that to survive we must force ourselves to save at least the skeleton, the scaffolding, the form of civilization. We are slaves, deprived of every right, exposed to every insult, condemned to certain death, but we still possess one power, and we must defend it with all our strength for it is the last — the power to refuse our consent.

Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition which is opposed to everything infinite.

To give a name to a thing is as gratifying as giving a name to an island, but it is also dangerous: the danger consists in one's becoming convinced that all is taken care of and that once named, the phenomenon has also been explained.

Perfection belongs to narrated events, not to those we live.

He was a physicist, more precisely an astrophysicist, diligent and eager but without illusions: the Truth lay beyond, inaccessible to our telescopes, accessible to the initiates. This was a long road which he was traveling with effort, wonderment, and profound joy. Physics was prose: elegant gymnastics for the mind, mirror of Creation, the key to man's dominion over the planet; but what is the stature of Creation, of man and the planet? His road was long and he had barely started up it, but I was his disciple: did I want to follow him?

This cell belongs to a brain, and it is my brain, the brain of me who is writing; and the cell in question, and within it the atom in question, is in charge of my writing, in a gigantic minuscule game which nobody has yet described. It is that which at this instant, issuing out of a labyrinthine tangle of yeses and nos, makes my hand run along a certain path on the paper, mark it with these volutes that are signs: a double snap, up and down, between two levels of energy, guides this hand of mine to impress on the paper this dot, here, this one.

Those who deny Auschwitz would be ready to remake it.