Perfection belongs to narrated events, not to those we live.

The sea's only gifts are harsh blows and, occasionally, the chance to feel strong.

The butterfly's attractiveness derives not only from colors and symmetry: deeper motives contribute to it. We would not think them so beautiful if they did not fly, or if they flew straight and briskly like bees, or if they stung, or above all if they did not enact the perturbing mystery of metamorphosis: the latter assumes in our eyes the value of a badly decoded message, a symbol, a sign.

Today I think that if for no other reason than that an Auschwitz existed, no one in our age should speak of Providence.

We collected in a group in front of their door, and we experienced within ourselves a grief that was new for us, the ancient grief of the people that has no land, the grief without hope of the exodus which is renewed in every century.

Perhaps Kafka laughed when he told stories [. . . ] because one isn't always equal to oneself.

They sensed that what had happened around them and in their presence, and in them, was irrevocable. Never again could it be cleansed; it would prove that man, the human species - we, in short - had the potential to construct an enormity of pain, and that pain is the only force created from nothing, without cost and without effort. It is enough not to see, not to listen, not to act.