I don't think I'm a collector. I think every kid from where I'm from had a terrible passion for having to have fresh kicks.

I watch people all day long on Instagram, I take part in it too. It's like if you get the piece first, you have to immediately be like "BAH!" stunting.

Doing something else and just adding whatever Pusha T nuances on it, now you're doing something cheaper. You started one place and took it to its heights, and now you're regressing. I don't think I should be exploring that right now.

I don't ever want anyone to hear my music and look at it as just gratuitous violence, or hustling and money-getting - I try to tell the perspective of the woman, the man, the mind, why.

I've never been - I don't think I'm, like, a great A&R, by any means. I don't even know production lingo, in all honesty.

I try to make Play Cloths really representative of me and my designers they look at my evolution as an artist and in fashion and they [zero] in to different details. I come into the office some days and they're like, 'What are those?" [I say,] "[These] are Philip Lim...[I'll] have on Philip Lim sweats and they go and put their spin on it.

Some athletes are super fashionable and not good. It's like c'mon man focus on your craft, be who you're supposed to be and then go put on the clothes.