I think the natural is, for many people, the gateway to something supernatural or otherworldly.
Quentin S. CrispI do not think that my spiritual apprehensions are as dogmatically cultural as those of many people who have been brought up strictly in a particular tradition.
Quentin S. CrispI feel like the seventies was a decade where things ran out, and where other things set in. There was just a lurking graininess and seediness about the decade, a slight grogginess of the hangover from the sixties.
Quentin S. CrispZen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp