You know, the art films would usually be more, I mean the exploitation movies would usually be more lurid, but not that much more. I mean, actually back in those days that was what foreign films had. They had sex, they were selling Laura Antonelli.

To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.

One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.

One can be inclined to just say, "F this political correctness! I don't have time for that!"

Batman is not a very interesting character. For any actor. There is simply not much to play. I think Michael Keaton did it the best, and I wish good luck to Ben Affleck. But, you know who would have made a great Batman? Alec Baldwin in the '80s.

I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.

When you gotta go out and make a movie to pay for the kid's private school and for the three ex-wives, don't talk to me about your artistry. It's their job. It's not my job. It's my calling.