I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.

I'm not a huge big fan of music video.

You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.

I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.

I was trying to do like a spaghetti western but using World War II iconography.

I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.

It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.