I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.

When people ask me if I went to film school I tell them, 'no, I went to films.'

A thing when I was writing the movie 'The hateful eight' was, I hate The Confederate cause. I've always felt that they are our Nazis and the rebel flag was our swastika. So I totally have no love for that whole romance for that Antebellum time period.

Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.

I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.

You name any horrific thing, and I can make a joke out of it.

To me, torture would be watching sports on television.