It hit me that an Apache resistance would be a wonderful, you know, it would be a wonderful metaphor for Jewish-American soldiers to be using behind enemy lines against the Nazis because the Apache Indians... were able to fight off for decades both the Spaniards and the Mexicans and the U.S. Cavalry for years because of their - they were great guerrilla fighters. They were great resistance fighters. And one of their ways of winning battles was psychological battles.

I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends.

Dogs got personality. Personality goes a long way.

I like a much more Japanese style of blood, where it's red and it almost has a paint kind of quality to it. You can put it on metal, and it has this vividness. Because, normally, what they use in Hollywood is this stuff that looks like strawberry pancake syrup or raspberry pancake syrup.

I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.

But the idea of using the Apache resistance, one, it works effective to actually get German soldiers to think of Jews that way. You know, and they're not just any Jews. They're the American Jews. They're Jews with entitlement.

My parents said, Oh, he's going to be a director someday. I wanted to be an actor.