Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.

"Dukes of Hazzard" or something you could, you know that, your work is going to be made up of that - episodic television shows. Not that I got many of them, but that was where I - but actually oddly enough though, they were teaching camera terminology at the same time in this acting class, so I actually was able to understand what rack focus and whip pan and all that stuff meant.

I hate The Confederate cause. I've always felt that they are our Nazis and the rebel flag was our swastika.

I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.

I'm very happy with the way I write. I think I do it good. But I've never really considered myself a writer.

Sure, and that's the cool thing about DVD: you can pack stuff on the disc that would've been too much for the big screen because actually it would've only interested yourself and a bunch of fanboys, who wanna know everything.

I was trying to do like a spaghetti western but using World War II iconography.