Crack offered a lot of money to the inner-city youth who didn't go to college. Which enabled them to become businessmen. I know about maybe five people in the entertainment industry who did their peak work as a result of crack usage.

I've always been a lover of hoodies. I'm a guy that travels a lot. I'm a guy that spends a lot of time on a cold air-conditioned tour bus. I'm a guy that likes to watch movies in peace. I'm a guy that likes to travel in the airport in peace.

Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.

I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.

It's easy for me to say, "Oh yeah, that's the self-saboteur move that most artists pull whenever they're afraid."

Reagan's neglect of the inner city is responsible for hiphop. Hiphop is created thanks to the conditions that crack set: easy money but a lot of work, the violence involved, the stories it produced. Crack helped birth hiphop.

I feel like the downfall of any person is the second an artist starts celebrating their work themselves, that becomes problematic. And you know, I don't sit there, I don't bask in the awards I've won, you know, read my bank statements, I refuse. To me, that's how you start losing the hunger. So for me personally, I just don't celebrate it. I'm happy, right now.