If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.

Billy Strayhorn wrote Multicolored Blue. Billy to me is the boss of the arrangers.

I'd been in love before - I was always in love.

There's power in the collective. If you don't believe me, just watch a symphony orchestra with a conductor and 120 people who are thinking about exactly the same thing at the same moment - no babies, no stock markets, no mortgages. Just 32nd notes.

All the jazz guys had interracial relationships, and even the ladies did. Over the years, interracial relationships have been a hip, almost defiant thing, a way of saying "Nobody can put a boundary around me."

I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.

The people who make it to the top - whether they're musicians, or great chefs, or corporate honchos - are addicted to their calling ... [they] are the ones who'd be doing whatever it is they love, even if they weren't being paid.