I just remember him [Baz Luhrmann] making me laugh, and his accent.

I still have so much gratitude for being part of something so great that is still around 20 years later, played in school and still getting the recognition that it gets. It is shocking, but then like I said, it's timeless so it isn't.

I even have some stories of people telling me how that song has changed their life, how it got them through hard times, how it saved their life when they were on the verge of thinking of doing the worst. That just really amazes me, that that movie [Romeo + Juliet] and that part in the movie are still having a huge effect on people's lives today.

There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."

[Romeo + Juliet] is relevant when Hamlet and all of that was out, when [William] Shakespeare wrote it. It's relevant now. It's not a shocker, but then it is. I guess so because I'm in it, so it's shocking that it's still on TV. People are still talking about it. Hey, I'm still getting royalty checks from it. It's amazing to me and I hope it continues forever.

I just remember him [Baz Luhrmann] making me laugh, and his accent.

I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.