It's amazing to know that 5 years ago I was writing songs in a basement in the ghetto and now I'm writing for Michael Jackson. I'd be a fool not to say it's a dream come true.

It's amazing to know that 5 years ago I was writing songs in a basement in the ghetto and now I'm writing for Michael Jackson. I'd be a fool not to say it's a dream come true.

I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.

I look at my music in the beginning, and the sexual songs, the partying songs, those are the realities because those things happen.

Take away the In God We Trust, tell me what the hell is wrong with us.

Soon as I see her walk up in the club, I'm a flirt. Winking eyes at me, when I roll up on them dubs, I'm a flirt. Sometimes when I'm with my chick on the low, I'm a flirt. And when she's wit her man looking at me, damn right, I'm a flirt.

I spend like $2 million a year on Chinese food and pizza for ten people in the studio who don't sing or produce.