I'm surprised how often I'm asked about being a man with a woman narrator. I'm not the first, nor will I be the last. It's been done forever, but we seem to forget that. The whole notion of "write what you know" is not just boring, but wrong. Lately it seems like every novel has to be a memoir. I'm a boring person, but I'm a writer with a relatively vivid imagination. And when people ask me about how I find the voice of a woman, I tell them that my life is run by women.
Rabih AlameddineIs life less thrilling if your neighbors are rational, if they donโt bomb your power stations whenever they feel you need to be admonished? Is it less rousing if they donโt rattle your windows and nerves with indiscriminate sonic booms just because they can?
Rabih AlameddineI wonder whether there is such a thing as a sense of individuality. Is it all a facade, covering a deep need to belong? Are we simply pack animals desperately trying to pretend we are not?
Rabih AlameddineFor someone like me and my generation, you had to speak French to be sophisticated, you had to be lighter-skinned.
Rabih AlameddineI'm an atheist, a devout atheist, but I find religion fascinating. Primarily because of cultural references, as in: This is what we grew up with. Both on a personal level and a collective level.
Rabih AlameddineI need to have one foot inside and one foot outside a culture to be able to write about it. For example, I couldn't write about the gay culture if I were wholly inside or outside of it. Finding that distance is always interesting. I jokingly say that when I'm in America, I write about Beirut, and when I'm in Beirut, I write about America. A lot of my friends in Beirut think I'm more American than Lebanese. Here, my friends think of me more as Lebanese.
Rabih Alameddine