The novel is a big space, and a lot can happen. Just think about the parts of your life. How do we account for our own contradictions? The only way to understand them is to let them exist, as truths that indicate something about character. People are built of elements that don't fit together - and the conflict of that is their essential drive.
Rachel KushnerViolence, factory politics - these things simply form some bedrock of what interests me, but I'm a child of the twentieth century. And I don't see reality and its violence, wars, oppression, etc., and fiction as counterposed.
Rachel KushnerWhen I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
Rachel KushnerThere was lots of pleasure in writing The Flamethrowers. Then again, what is pleasure? Some pleasure is easy and other kinds are never quite felt, existing only as the residue of hard work, or more as satisfaction than thrill.
Rachel KushnerWhile it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.
Rachel Kushner