If you try to go for a laugh, it's death to the comedy. Personally, that's how I approach comedy. But I'm no expert.
Rachel WeiszIt is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
Rachel WeiszThe Pagan model of religion because, in the Pagan model, there were lots and lots of Gods and Goddesses. They were all incredibly beautiful and there were statues of them everywhere, which is the equivalent of magazines, or whatever, today. And they were fallible, which is different from being mono-, you know, Jewish or Islam (where) you have the infallible, monotheistic God.
Rachel WeiszNow we're in a recession, and at war, so people want to see this chihuahua movie, The Fountain. To be told to come to terms with death, that death is the road to all - it's a very intense subject. But as with movies that are very unusual, that have come to be thought of as very interesting, one finds out at the time that they were not understood. So who knows? We'll see. A lot of people really, really loved it, and a lot of people didn't get it.
Rachel WeiszNormally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.
Rachel Weisz