And I guess, I guess it's a humanist film. It's not really a spiritual film and it's, you know, it's saying that we're all one tribe of humans and we're on this little rock, floating through the universe and (Amenabar) has these (transitional shots of) POVs where you see humans like ants.

I think actors have a choice of drawing attention to themselves or living on the outskirts.

I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.

Working with a green screen is easy. It's just like being a kid. But it's not nearly as satisfying.

Most of the time we do nothing, myself included, I think the lesson I learned from [playing humanitarian Tessa in The Constant Gardner] is that a lot of drops make up an ocean. If people would stand up and say what they believe in maybe we can make a difference. Helping one person is better than nothing. Just do something.

Often Hollywood crews go into third world countries and I don't believe they behave well.

I want to play interesting women.