The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.

My real fantasy if I was to drop out would be to live in a mobile home and be a hippie and drive around festivals and have millions of children - children with dreadlocks and nose rings - and play the flute.

If I'm just in dungarees, I don't think I would intimidate anyone.

Now we're in a recession, and at war, so people want to see this chihuahua movie, The Fountain. To be told to come to terms with death, that death is the road to all - it's a very intense subject. But as with movies that are very unusual, that have come to be thought of as very interesting, one finds out at the time that they were not understood. So who knows? We'll see. A lot of people really, really loved it, and a lot of people didn't get it.

If you try to go for a laugh, it's death to the comedy. Personally, that's how I approach comedy. But I'm no expert.

I was advised by an American agent when I was about 19 to change my surname.

I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.