That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.

When you're doing comedy, you're not trying to be funny. I think things are funny when the character is taking it totally seriously. I think when people are winking, it becomes slapstick, it becomes something else.

Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.

I am definitely a worrier.

I would LOVE to be in the Star Trek sequel! Yeah! I would love to! I better write that letter to J.J.[Abrahams]

(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.

We're on this rock and we can choose to treat each other well or we can choose to kill each other and be uncivilized. I don't know. It's very tragic. It's a very tragic thing to think about.