Organized, yeah. And those who are so sure that their God is the right God that they believe it's ok to kill another person who doesn't believe in their God.

I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.

Because I think in order to get famous you have to be known for something. Like 'You're the romantic comedy girl' or 'You're the Oscar-winning whatever girl.'

Normally, I would do research. For The Constant Gardener, I played an activist, so I went to meet activists. You can find them dotted around. But with The Brothers Bloom, I couldn't meet a nutty heiress who lived in a bubble in a mansion. There was no one to meet. So this was just an active imagining, a daydream.

In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.

I am proud of what I am. I am a librarian.

And I guess, I guess it's a humanist film. It's not really a spiritual film and it's, you know, it's saying that we're all one tribe of humans and we're on this little rock, floating through the universe and (Amenabar) has these (transitional shots of) POVs where you see humans like ants.