I usually need a lot of time to be completely alone with the particular piece, the composer, and the instrument. I also prefer a very quiet atmosphere, and I usually choose pieces that are very close to my personality, my heart. I think the audience can feel it.

I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.

I dreamt of playing in the big halls all over the world and it has always been my dream to play for people in many different countries.

As a pianist, our particular role is to enter a piece and its logic and create a particular interpretation from our understanding. The most important thing for the performer is, after all, to create a special atmosphere - we enter the composer's feelings and emotions and recreate them freshly for a given audience.

I usually need a lot of time to be completely alone with the particular piece, the composer, and the instrument. I also prefer a very quiet atmosphere, and I usually choose pieces that are very close to my personality, my heart. I think the audience can feel it.

It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.

My earliest memories about music are connected with going to church and listening to organ music. I am not from a musical family, actually, and I remember my first musical fascination to be for organ music. I wanted to become an organist and not a pianist.